
In Spite of Innocence
The stories of some 400 innocent Americans who were falsely convicted of capital crimes.
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The stories of some 400 innocent Americans who were falsely convicted of capital crimes.

The mark of success in a poet's career, writes David Slavitt, was an epic that might stand on the shelf alongside Virgil's. But how was a poet like Ovid, with a more intimate, livelier, funnier and more self-mocking sensibility, to attempt such a thing? The epic form was not, I think, immediately congenital, and my guess is that Ovid recognized this himself. Accordingly, he transformed the epic, playing against its grain a lot of the time, and escaping its severe organizational and thematic demands by transforming it into something altogether different. The first metamorphosis, then, is of the idea of the epic itself.

Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. Throughout, he progressively broadens the definition of lyric to the point where it becomes the basis for defining epic, rather than the other way around.

Introduces the idea that people affect the environment.