
Greek Rhetoric Before Aristotle
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Eski Yunan edebiyatının iki büyük destanı İlyada ve Odysseia, Batı edebiyatının temel kaynakları arasında yer alır. Sözlü edebiyat geleneğinin ürünü olan bu yapıtların Egeli ozan Homeros'a ait olduğu kabul edilir.
16000 dizelik İlyada'da, Yunan Yarımadası'ndan gelen Akhalar ve Anadolu yakasındaki Troyalılar arasındaki savaş anlatılır. Ama sadece yıllarca süren Troya Savaşı'nın öyküsü anlatılmaz, aynı zamanda kahramanlık ideali tüm çelişkileriyle sorgulanır.
İlyada ve Odysseia'da mitologya ile gerçek yaşam, tanrılar dünyası ile insanlar dünyası doğal bir birliktelik içindedir. Yazgıları tanrılarca belirlenen insanlar, ölümlülükle ölümsüzlüğün başsız sonsuz çelişkisini yaşarlar. MÖ VI. yüzyılda yazıya aktarılan bu iki destan, sonradan bütün bie Batı edebiyatı geleneğinin ödünç alıp kullanacağı kahramanlar yaratmıştır.
İlyada ve Odysseia destanlarını, Eski Yunanaca asıllarından Azra Erhat'ın ve A. Kadir'le birlikte yaptığı emek, bilgi ve sabır ürünüğ usta işi çevirisiyle sunuyoruz.

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"The object of this book," writes the author in his Preface, "is to investigate how poetry and the figure of the poet are represented, discussed, contested within the poetry of ancient Greece." Dr. Goldhill seeks to discover how ancient authors broached the questions: From what position does a poet speak? With what authority? With what debts to the past? With what involvement in the present? Through a series of interrelated essays on Homer, lyric poetry, Aristophanes, Theocritus and Apollonius of Rhodes, key aspects in the history of poetics are discussed: tale telling and the representation of man as the user of language; memorial and praise; parody, comedy and carnival; irony, masks and desire; the legacy of the past and the idea of influence. Detailed readings of major works of Greek literature show how richly rewarding and revealing this approach can be. The author makes liberal use of critical writings from areas of study other than Classics and focuses on problems central to contemporary critical debate. His book is uniquely placed to bring together modern and ancient poetics in a way that is enlightening for both. The work is written as much for the serious scholar of literary criticism as for the Classicist.


In a fresh interpretation of Lucretius's On the Nature of Things, Charles Segal reveals this great poetical account of Epicurean philosophy as an important and profound document for the history of Western attitudes toward death. He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucretius, Segal argues, deals more specifically with the body in dying because he draws on the Roman concern with corporeality as well as on the rich traditions of epic and tragic poetry on mortality.Segal explains how Lucretius's sensitivity to the vulnerability of the body's boundaries connects the deaths of individuals with the deaths of worlds, thereby placing human death into the poem's larger context of creative and destructive energies in the universe. The controversial ending of the poem, which describes the plague at Athens, is thus the natural culmination of a theme developed over the course of the work.