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This book by one of the preeminent Virgil scholars of our day is the first comprehensive study of ekphrasis in Virgil's final masterpiece, the Aeneid. Virgil uses ekphrasis - a self-contained aside that generates a pause in the narrative to describe a work of art or other object - to tell us something about the grander text in which it is embedded, says Michael C. J. Putnam. Individually and as a group, Virgil's ekphrases enrich the reader's understanding of the meaning of the epic. Putnam shows how the descriptions of works of art, and of people, places, and even animals, provide metaphors for the entire poem and reinforce its powerful ambiguities.

This revised and expanded second edition of R.A. LaFleur's Love and Transformation is designed to introduce intermediate and advanced high school and college students to the timeless artistry of Ovid's Metamorphoses and Amores. Including all the selections from the AP Ovid Syllabus, the volume contains "Daphne and Apollo," "Pyramus and Thisbe," "Orpheus and Eurydice," "Pygmalion," "Daedalu and Icarus," and "Baucis and Philmon" form the Metamorphoses, as well as Amores 1.1-3, 1.9, 1.11-12, and 3.15.

One of the most influential and popular works in all literature, Ovid’s Metamorphoses is a weaving-together of classical myths, extending in time from the creation of the world to the death of Julius Caesar. This volume provides the Latin text of the first five books of the poem and the most detailed commentary available in English for these books.
In his introduction to the volume, editor William S. Anderson provides essential background information, discussing Ovid’s life, the reception of the Metamorphoses during Ovid’s day and after, and the poem’s central issues. The Latin text of the five books is Anderson’s own edition, based on years of study of the surviving manuscripts. In the extensive notes that follow the text, Anderson offers both useful summaries of the stories and detailed line-by-line comments.
Unlike other epic poems, which concern wars and heroism, the Metamorphoses centers on ordinary human beings, women as well as men, who live in a world of continuous change. The first five books, which include such well-known stories as Apollo and Daphane, Diana and Actaeon, and Narcissus and Echo, deal especially with the relationship between human beings and the gods. Arrogant and lustful, but all-powerful, the gods of Ovid’s universe selfishly pursue their own pleasures, frequently at the expense of their human targets. Yet these gods escape unscathed, while the humans, unjustly, are punished. Helpless to defend themselves, they are changed into animal or nonhuman forms.
A resource for students and scholars of Latin, this volume enhances understanding and enjoyment of Ovid’s changeable poem about our changeable existence.



Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.