Not One More Death examines the record of US and UK troops in Iraq, questions Bush and Blair’s position under international law, and considers the responsibilities of artists, writers and the wider public in a time of war and occupation.
Published in collaboration with the Stop the War Coalition (www.stopwar.org.uk).
Dear Reader:
Get yourself ready for Mary Lisa Beverly--a soap-opera phenom who's just won her third Daytime Emmy for her role as Sunday Cavendish on Born to Be Wild. She's fun and lovable and has lots of crazy friends, most of whom hang out at her house in the Colony, the famous gated community in Malibu. Unfortunately, there is one bad thing to poleax her champagne life--someone is trying to kill her.
You'll meet Mary Lisa's family in Goddard Bay, Oregon. She's blessed with her father, cursed with her mother, and betwixt and between with her two nutzoid sisters.
And how about guys? There aren't any hotties in L.A. of interest to Mary Lisa, but in Goddard Bay--there are District Attorney John Goddard and Chief of Police Jack Wolf. And guess what? Even in the boondocks, bad stuff can happen.
Mary Lisa's best friends, Lou Lou Bollinger_and Elizabeth Fargas, become embroiled in the baffling attempts on Mary Lisa's life in L.A., with unexpected results.
I hope you laugh a lot with Born to Be Wild, root for Mary Lisa in all of her roles, and all in all, have a fine time with this book.
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In "Poetic Interplay," the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's "Odes," the later author's magnum opus.
Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.
Explore the new design discipline that is behind such products as the iPod and innovative Web sites like Flickr. While other books on this subject are either aimed at more seasoned practitioners or else are too focused on a particular medium like software, this guide will take a more holistic approach to the discipline, looking at interaction design for the Web, software, and devices. It is the only interaction design book that is coming from a designers point of view rather than that of an engineer.
This much-needed guide is more than just a how-to manual. It covers interaction design fundamentals, approaches to designing, design research, and more, and spans all mediums--Internet, software, and devices. Even robots! Filled with tips, real-world projects, and interviews, you'll get a solid grounding in everything you need to successfully tackle interaction design.
"Designing for Interaction" is an AIGA Design Press book, published under Peachpit's New Riders imprint in partnership with AIGA.
Imagine you are fluent in a magical language of prophecy, a language so powerful it can accurately describe things you cannot see or even imagine. Einstein's Heroes takes you on a journey of discovery about just such a miraculous language--the language of mathematics--one of humanity's most amazing accomplishments.
Blending science, history, and biography, this remarkable book reveals the mysteries of mathematics, focusing on the life and work of three of Albert Einstein's heroes: Isaac Newton, Michael Faraday, and especially James Clerk Maxwell, whose work directly inspired the theory of relativity. Robyn Arianrhod bridges the gap between science and literature, portraying mathematics as a language and arguing that a physical theory is a work of imagination involving the elegant and clever use of this language. The heart of the book illuminates how Maxwell, using the language of mathematics in a new and radical way, resolved the seemingly insoluble controversy between Faraday's idea of lines of force and Newton's theory of action-at-a-distance. In so doing, Maxwell not only produced the first complete mathematical description of electromagnetism, but actually predicted the existence of the radio wave, teasing it out of the mathematical language itself.
Here then is a fascinating look at mathematics: its colorful characters, its historical intrigues, and above all its role as the uncannily accurate language of nature.
Read Daniel Pinchbeck's posts on the Penguin Blog
Cross James Merrill, H. P. Lovecraft, and Carlos Castaneda -each imbued with a twenty-first-century aptitude for quantum theory and existential psychology-and you get the voice of Daniel Pinchbeck. And yet, nothing quite prepares us for the lucidity, rationale, and informed audacity of this seeker, skeptic, and cartographer of hidden realms.
Throughout the 1990s, Pinchbeck had been a member of New York's literary select. He wrote for publications such as The New York Times Magazine, Esquire, and Harper's Bazaar. His first book, Breaking Open the Head, was heralded as the most significant on psychedelic experimentation since the work of Terence McKenna.
But slowly something happened: Rather than writing from a journalistic remove, Pinchbeck-his literary powers at their peak-began to participate in the shamanic and metaphysical belief systems he was encountering. As his psyche and body opened to new experience, disparate threads and occurrences made sense like never before: Humanity, every sign pointed, is precariously balanced between greater self-potential and environmental disaster. The Mayan calendar's "end date" of 2012 seems to define our present age: It heralds the end of one way of existence and the return of another, in which the serpent god Quetzalcoatl reigns anew, bringing with him an unimaginably ancient-yet, to us, wholly new-way of living.
A result not just of study but also of participation, 2012 tells the tale of a single man in whose trials we ultimately recognize our own hopes and anxieties about modern life.
